10 interesting facts about America

Do you know why in the United States have 1 of every 3 people who are obese? Or the cause of 40% of children born in the families of single mothers? Full review journal

1. US population every 3 people will have one obese

You know, the reason why people in the US obesity rate so high because this is a country that is "King" fast food, according to statistics has revealed that about 22 million chickens are consumed each day, 404 686 m2 of pizza and fast food is extremely cheap prices. Not to mention, incredibly Americans like to eat cake and spread a lot of pastry shop as a diverse culinary culture. It's great but perhaps so that the prevalence of obesity in such high here!

2. 40% of children born to single mothers:

This is perfectly normal figure with Western countries because they have no constraints or preconceptions about the problem of single women so even 40% of children born in the families of single mothers is also nothing much different than other kids.

3. Many public trash:

Americans are very practical. To keep the streets clean, they are always to the large trash cans, no cap across the street to living garbage. In the market place or commercial center, the airport ... as well, the large bins will be left at many places, even sorting bins for organic waste available seats, to paper and place to place plastic bottles. Very convenient and hygienic, right? It's hard to find garbage in the street indiscriminately US is the great thing that many other States should learn immediately not you?

4. Policy Priority for people with disabilities

Do not use the slogan, American policy represents a priority in the lives of people with disabilities: car parking anywhere near the parking space and spend most destinations for people with disabilities, followed by parking spaces for women mothers of young children.

Any point in the US public also aisle / elevators / toilets ... reserved for disabled people with clear signage. In the supermarkets are available vehicles for people with disabilities, helping them move easily. American Meeting also easily take the bus, because the bus front door designs available boards (lowered and raised automatically) to the disabled to move a wheelchair.

5. America is where garbage biggest car in the world!

Did you know: Most Americans are shopping for a private car to get from one place to the other states were distant and rare public car? The price is very cheap cars in America, the poor can also buy a used car for a few thousand, and who has more than 10 thousand dollars can buy a brand new car, therefore, can find a car parking row across the empty lot ... like toys or doorstep regardless of day or night. With momentum consumed annually 16-17 million cars / year, the US can say where garbage is the biggest car in the world!

6. Line up is normal

Purchase, delivery, diner in a restaurant or even on toilet ..., where the Americans have a habit of queuing. At the bus stop or subway, though not queue, but everyone who came before the American forward, who came back to back in order. This is the culture of many countries enviable in the world because it confirms the public civilization of the American people how high.

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7. Always know thanks

"Thank you" - thank you - is the mouth of the Americans in every way and this is worth learning culture. Especially impressive is the habit thank the bus driver each time their American down car. when the car, the driver sits across the site, everyone will look at him (her) driver and say thank you, maybe even accompanied by the greeting "good day" (for the day) or "good night "(for the night). And in everyday communication, or just help make a good deal for American small, you do not need to wait they will thank you immediately a fun, comfortable.

8. The Americans are not napping

Americans have absolutely no siesta. Whether working in the office or freelancers, Americans spend lunch time is short - eat on the spot or eat outside the park near the workplace. Stay up late or get up early the habit of depending on each home, but Americans just sleep at night

9. World cheap food

American-style food sold everywhere and very cheap price. From hamburgers, fried potato cakes to pastries styles is also just a few dollars a meal no. Coffee cups biggest McDonald also only $ 1 only. But want to eat Asian dishes to arrive focus Vietnamese or common people is to ChinaTown. An Asian meals cost at least 10 USD / person (if you only eat a piece) or more than 20 USD / person (if you choose family rice), not including tip (from 10% -15% on the invoice, depending each place). The "market" selling American food is always near residential areas, cheap (especially chicken).

10. Reserve versatile paper

Americans only reserve is the most versatile paper. Americans do not use cloth rags or kitchen fixtures that use paper as the "rag" versatile. Apart from large rolls of paper, the Americans always reserve a few boxes wet towels - soaked alcohol disinfectants available - indoors. Paper alcohol wipe all: from furniture, digital technology to the stove and the toilet

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Taylor Swift crowned world's top-earning artist in Forbes' celebrity rich list

According to the annual 100 list, the Shake It Off singer has had a record year, thanks in large part to the success of her 1989 world tour, review journal

Taylor Swift had a very good year

Taylor Swift is the top-earning entertainer in the world, according to Forbes’ annual celebrity 100 list.

The country-turned-pop star, whose last album, 1989, has sold more than 5m units in the US alone, raked in $170m from June 2015 to June 2016, to put her at the top of the list.

Her new ranking puts her higher than last year’s highest-paid musician, Katy Perry, who banked $135m in 2015, according to Forbes. Perry reached the top last year on the strength of a world tour, a string of hit songs and lucrative product endorsements. Related content just for fun check out amazing facts of science

Swift’s rise this year is a direct result of the success of her 1989 world tour, which surpassed the Rolling Stones’ North American touring record – grossing $200m. Her overall total was boosted by promotional tie-ins with Keds, Diet Coke and Apple.

Swift’s 2016 take more than doubles her previous best: she reportedly earned $80m in 2015.

Her 2016 tally ranks lower than last year’s list topper, the boxer Floyd Mayweather, who pulled in $300m in 2015 after taking part in “the fight of the century” with Manny Pacquiao.

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The way Americans communicate

Review journal, like elsewhere, in America, shaking hands is a common greeting. You can shake hands both men and women met at the first time or after.

Americans have a habit of using the firm handshake, not only hand fingers (not meant to squeeze the hand that hurt others) to express the friendly and enthusiastic. Shaking hands can loosely be considered as uncertainty, lack of confidence, and even indifferent in relationships. Americans rarely see used both hands to shake hands. Occasionally you can see men with women or women with women greet each other by hugging, and even cheeks together or kiss on the cheek. This form of greeting usually reserved for people who are old friends, or at least have known each other. In addition, very few Americans do touch.

Do not ask your age, or income Americans. Religion, politics, and sexuality as well as sensitive areas in the US. Ideally, you should avoid this topic except with close friends.

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When speaking, Americans often look directly at the face and standing not too close. Do not look directly at the person you're talking, soft spoken, shy attitude can be seen as people without power or weakness. You can also see the other Americans on the other foot propped his feet and leaned back as he sat talking with guests. These culture often conflict with respect for tradition and humble politeness of Asia. This does not mean that Americans arrogant or rude. Americans tend to value the effectiveness rather than politeness.

Americans also use gestures, gesturing at the different levels of communication to emphasize what you want to say or maybe just a natural habit. Shaking his head from side to side means disagree. Nodding means consent. Leaning eyebrows express surprise. Shrugging express disbelief or uncertainty. In restaurants like to call the waiter when you can raise your hands high and held up his index finger to attract their attention. However, if waving or pointing the finger pointing at others means that incriminate or challenge them. Stretch out your hand with your palm facing forward means stop. For Americans raised a middle finger is considered obscene and challenges.

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Learn about the culture of the American diet

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America is one of the countries promoting freedom and most civilized world, besides the United States is a multi-ethnic country should American dishes are very diverse and there is also another taste know. Unlike us in their meals are more likely to have the most common items which are now known as: hamburgers, hot dogs, cake's, KFC ...

If you have the opportunity to experience life here, it is best to thoroughly understand the culture of the American diet, to be able to see the spirit of self-awareness as well as promote the scientific article of any person US citizens currently living in a civilized country this ...

The Americans have a very open personality, enthusiasm and comfortable, they are not tied so much to the means and authority ceremony. Their customs and traditions have existed for a long time, and unlike other countries. America is a country attaches great importance to the concept of time. The operation at the start are fixed on time, for they were late for the one thing is not polite to others. And when you have a regular appointment with the Americans, is very simple you just need a phone call, the opponent will be gladly accepted the invitation and agreed to meet in the shortest time.

In life, the Americans they have the principle: "There is new paralytic reciprocity in love," but they are absolutely taboo in receiving gifts. Firstly, they are not considered important Americans of the value of the material. Second, the law prohibits gift-giving forms allow excess. The gifts brought from home such as crafts, handicrafts, famous wines ... the Americans are favored. Besides the holidays or holidays, you are invited to dine at a normal American family nor bring gifts.

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When inviting guests for dinner, if the nature of work Americans often hold parties in restaurants, clubs, all expenses are met by the company responsible. The relationship is close friends were invited to dinner with family. When inviting guests for dinner at their house often based on their economic ability to organize, not bombastic presentation drawings and respected so much in terms of form.

Food in regular meals at home on long tables furnished with salad dishes, roast duck or roast meat, cold dishes, fried rice, dumplings ... There are also pastries, fruit , drinks and wines. Guests who will be sitting around the dinner table, when the landlord has entered a feast and invite each guest will choose their favorite dishes to enjoy, eat and chat in a fun atmosphere, not comfortable forced.

Invite guests to a meal, drink a glass of wine or a weekend away together in the suburbs, ... which is seen as a form of communication of American friends. But opponents are not required to meet the ceremony, if there is an opportunity to invite guests to dine with family whenever possible. According to the American custom of guests after taking a meal should have the landlord thank especially with women, who take care of the cooking for the family.

Thus can see that each has a different customs and traditions, such as words can give new insights into the behavior is good and relevant in each situation, from which we can draw for yourself practical experience in everyday life. 

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American Culture - Learn American society and human

Review journal, the United States is a multicultural country, is inhabited by the migrants. Speaking to the common culture of the majority of Americans is referred to "American popular culture," That is a Western culture largely drawn from the traditions of Western European migrants, beginning is the Dutch settlers, British, ... firstly built up American society today. However the number of peoples and nations in the US are numerous and each city, the rate that the various split in which immigrants and their descendants retain the characteristics of their particular culture .

American Culture - Learn American society and human

America is vast and populous. With over 9 million square kilometers and a population of approximately 293 million people, the US is considered the 3rd most populous country in the world (estimated in 2012) but every average family owns a large amount of land should say Arguably the American public is where "eastern landmass person". In the US, there are many types of climate, soil, lifestyle and different cultures. Just take an example from the East Coast to the West Coast of the United States apart from 4-6h clock and hot south is creeping north winds and snowstorms have. Therefore, depending on your preference you can choose where in and where appropriate recreation.

Notwithstanding the diversity of culture in the US, but the US still have a separate cultural identity that you might not have experienced only when you come to America. That can not exaggerate through films, consumer products make certain aspects which you already know.

Learn the culture, society, amazing facts of science and the American people:

1. The belief of Americans

Americans believe that all people are equal and have equal rights in life. Everyone will be treated equally and with the same level of respect. This is one of the most basic principles of American philosophy.

Each person is an individual freedom. Americans do not believe in those ideals or general style. Individual and personal symbols are often revered and encouraged.

The competition to create the best people and the best jobs. Competition is a philosophical principle in America. "Only the strongest creature, the best can survive the competition for survival."

Only you can decide who is your life and how your future is. Americans generally do not believe in luck or fate. They are proud of personal accomplishments achieved.

The change is a necessary and good. It will bring progress and improvement. Old traditions are often not appreciated in the US as in other countries.

The best thing in America is honest and forthright. In other cultures, it is often said that talking too straight or facts about a certain matter is impolite, but Americans prefer an open, frank, even given the mixed reviews and the the bad news.

When the decision is more important than sexual reasons. Most Americans prefer the conclusion "the bottom line". In other words, the most effective decision is the decision to create the most productive results, generally expressed in USD even coins.

2. The Americans love:

- Their country, Americans are very patriotic. They are proud of their country and their way of life. They are also respected those who have and are serving in the military forces of the country.

- Their free time. Americans tend to have less free time than those in some other countries, but they appreciate what they have. They usually are esteemed for their time, for the family or the community. All weekends and holidays are usually teeming with activity.

- Extracurricular activities. The US government generally preserved a large part of the land for US citizens to enjoy and have fun. Americans generally enjoyed outdoor activities annually. The popular activities depending on each region and state as canoeing, climbing, hiking, camping and skiing.

- The sports activities. Americans usually have some professional athletes participate in pro sports activities than other countries many times. America loves to watch sports narrative sessions, on radio or on a radio link. They also enjoyed participating and playing sports are some of the sports teams of all ages and at different skill levels.

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Review journal - Maxwell returns: my working style is ‘Would Sade or Marvin do this?’

The singer takes his time when he makes an album – review journal seven years for the latest. He explains how his lovelife gives him material, but anxiety holds him back

"I wish I was more presentable,” says Maxwell, packaged loosely in a denim jacket and jeans, in a top-floor room in a Manhattan hotel. “I’m post-Prince birthday cake.” The previous night, he was celebrating Prince’s birthday (the first since the pop star’s death in April), marking the life of someone whose work had been crucial to his own musical development. “A lot of what he did was why I felt: ‘Oh, I could be … maybe not like him, but I don’t have to be this cookie cutter …’” His voice trails off.

I had seen Maxwell perform just a few days after Prince’s death, at the New Orleans Jazz and Heritage festival. He would pause between songs to talk about Prince’s influence on his work. “Everyone on this stage is here because of him,” he told the crowd. In the middle of his cover of Kate Bush’s This Woman’s Work –which he originally recorded in 2001 – he murmured the opening words from Let’s Go Crazy – “Dearly beloved, we are gathered here today to get through this thing called life” – with a religious concentration. “It was such a tough show to get through,” he says now.

Two weeks after our interview, Maxwell performs Nothing Compares 2 U at the BET awards; on the night, one of the verses mutates from the Prince original – “I went to the record store … Apple, Spotify, too, and they told me / ‘Boy you’d better try to make some music, which you can’t do / ’cause Prince is the truth!’” Prince was a fan of Maxwell, too. He had, apparently, been asking Harry Belafonte why Maxwell was taking so long to follow up 2009’s BLACKsummers’night album. “I’ve known [Prince] for a long time and was shocked that he actually genuinely cared about what I was doing, and why I was taking so long,” Maxwell says. Just for fun please access here animal facts to get more information 

Finally, that new album – blackSUMMERS’night – is out (there will, at some point, be a third album in the series, called blacksummers’NIGHT). But Maxwell does not work quickly. It is 20 years since his debut, Urban Hang Suite, which fitted into the burgeoning neo-soul movement of the time, alongside the crisp debuts of D’Angelo and Erykah Badu. Two more albums followed in relatively good time: Embrya in 1998, and Now in 2001. And then it was an eight-year wait – during which, he said, he took a break from the music industry to become a “full, 100% man” – until BLACKsummers’night, followed by another seven for the new album.

“Why does it take so damn long? I would say … anxiety.” Two events paralysed him artistically: turning 40 in 2013, and the success of his previous record. BLACKsummers’night entered the US chart at No 1, while its single Pretty Wings topped the Hot R&B chart for 14 weeks. “I didn’t know [BLACKsummers’night] would be so loved. I had no idea. And now I have to put out something else, and it had better be better. And that can freeze you.”

He requires the accumulation of experience in order to write, to have gone through something in order to translate it to record. He is also the only person motivating himself to work. “I don’t have a creative mafia that makes everything happen,” he says. “That’s not my style, I’m not interested in that. I wish I was – it’d be nice, I could have a really nice Lamborghini or something. The question begs: ‘Would Sade do this? Would Marvin do this?’” The reference to Sade is pertinent – he has two regular collaborators, Hod David and Stuart Matthewman, and the latter is one of Sade’s closest colleagues.

He is allergic to the elevated atmosphere of celebrity. “Celebrities have competitors, and competition, and people they have to fight against or be better than,” he says. “Artists, it doesn’t really work that way.”

On the cover of the new album, Maxwell obscures his face, as if to diminish his personality and focus attention on his music. “My friend asked me: ‘Why are you covering your face? It’s your album! You should be like: Look at me!’” he says. What’s more evident on the cover, in fact, is the space around Maxwell. “You know what they say. What’s hidden is always the most interesting thing,” he says. You can learn more here amazing facts of science to relax with more information  

The new album feels less organic than its predecessor, which emphasised the nimble interactions of its musicians. BlackSUMMERS’night instead explores the tension between live performance and a more hermetic studio process. Maxwell talks about the song Gods, which builds on a four-bar melody, a glistening spine for the song: “I don’t know how these things come together,” he says. “I really cannot take credit for the writing or any of it. I am writing it, but it’s literally just … happening.”

Like many of Maxwell’s songs, Gods concerns the physical as it flows into the metaphysical: “As you lied so convincingly / As you swore so religiously,” he sings, his voice evolving from its weathered and cracked register into a gentle shimmer: “You played the game of gods.” Two encounters dictated the song. “I was going through a really weird experience that involved this girl and this one particular individual that was upset about this girl who was interested in me,” he says. “It’s so funny – one thing will begin a song, and then another meeting will completely finish the song. So it’s like an arc of how everybody plays into this particular idea of the song.” And that is how Maxwell songs function: things arc into each other. “You want to say the right things. You want to say things you haven’t heard before, that people haven’t written before. How many times can you say: ‘I love you baby’?”

Maxwell has made an album about a love that may never be understood or reciprocated. “It may happen, it may not,” he says. “Kind of a wait-and-see, Saturnial, pessimistic. I think it lives in both worlds because of how I think of things. There are no real guarantees. People are independent individuals.” He says he’s a classic romantic, and finds the modern mutations of dating – Tinder, OkCupid, and so on – alienating and uninhabitable. “It’s very disconnected and detached,” he says. “I’m not hating. I’m sure people have had amazing moments with their more controlled experience of the things they want to do. People are scared to be vulnerable and surrender themselves to someone else, and that’s really part of loving someone. I don’t know if what people are writing any more supports that.”

At the centre of Maxwell’s music is his vulnerability. “I’m always looking for the spark of experience that then goes into the performance,” he says. “That’s what Kate Bush did to me. I didn’t really understand what the hell [This Woman’s Work] was about. I just knew that whatever she felt, whatever her feeling was that she had been through or gone through … I don’t care who you are when you hear that, it’s buckle-your-knees, fall-to-the-ground, it’s just beautiful. And it’s transcendental. It’s literally like stuff that you could expect to hear when walking into heaven after you die. That’s the thing that Prince had, too.”

Now blackSUMMERS’night is done, the main feeling he has is relief. “I’m so happy it’s done,” he says. “I’m over this.” He says he has finished writing the third part of the trilogy and is in the process of recording it. And where will he be when it’s done? “I get to figure out where I want to go, where I want to live, what I want to build,” he says. “Family stuff. Finally, just get a life. I’ve been living life, but really getting a life finally, extending myself past my own self and the music that I’m so anxiety-ridden about having to do.”

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Review journal - Gay Talese's legacy will survive the Voyeur's Motel scandal

The author’s latest book is far from perfect, but his unique voice and methods, and influence on modern journalism mean he shouldn’t be judged by it

Review journal Gay Talese had something to show me. It was September 2013, and we’d already spent a day together. He’d agreed to a detailed, now borderline-invasive interview about his seminal 1966 Esquire profile, Frank Sinatra Has A Cold. The purpose of the interview was to pull back the curtain on how his lively, lyrical write-around was reported and written.

The profile is hefty, at 15,000 words, so the interview, conducted in Talese’s stately Upper East Side townhouse, was split up over two days. At the beginning of our second session, but before we dove back into Sinatra, we shuffled down to his tastefully appointed writing quarters in the basement. He pointed to a box of notes related to a story he was finishing up. It was, he said, the tale of a motel owner who spied on his clientele. Talese met the man, one Gerald Foos, in 1980, but it had taken 33 years to convince him to go on the record.

The resulting story (which will be published as a book this summer) has now been heavily criticized. In the excerpt that ran in New Yorker, Talese reported that Foos had owned the Manor House Motel continuously from 1969 to 1995, and witnessed a melange of nudity, sex, and even, according to a journal kept by Foos, murder. However, according to a Washington Post investigation, there’s reason to question parts of the story: a property search reveals that “Foos and his wife Donna sold the Manor House in October 1980.” The couple eventually bought it back, but not for another eight years.

This came as news to Talese, who in quick succession disavowed, and then re-avowed, the book. It was an ugly end to what has been a topsy-turvy few months for the writer. In April, he was raked over the coals for admitting he wasn’t “inspired” by his generation of women writers. And then, within days, fellow journalists expressed reservations about his voyeur story; it was, as one widely shared piece had it, “a failure of journalistic ethics”. Dwight Garner’s praise was the lone dissenting voice. Last week’s revelations about the property record search – and, consequently, the reliability of a man about whom Talese devoted an entire book –have certainly hurt his reputation in the short-term. But what about long-term?

Cockups are more easily forgiven when they happen in the latter half of a career. We remember John Hersey’s Hiroshima dispatch; we forget that he filched copyfrom a James Agee biography. We remember Joe McGinniss for The Selling of the President; we forget his dubious inspiration for The Last Brother. We remember Norman Mailer’s Armies of the Night; we forget that he lent his credibility to a murderer. It isn’t an accident that all three of these men share certain demographic characteristics; journalism, especially high-end journalism, is still very white and male, and sinners get judged by a jury of their very specific peers. And many of those peers grew up idolizing Talese.

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Talese also benefits from having been uniquely up front about his journalistic methods. In our interview alone, he mentioned using copy from Maurice Zolotow for a Joe DiMaggio profile without attribution. “I sometimes incorporate what has gone obscure in other people’s work,” he said. He also scoffed at using a tape recorder because “I don’t want the tape recorder to contradict what I think is potentially a better quote.” Most journalists, I suspect, find such beliefs more disconcerting than Talese’s failure to perform a title search. But his candor about these unorthodox ways, which borders on bravura, may inoculate him from further scrutiny.

It’s worth remembering, too, that this isn’t Talese’s first round of bad press. Thy Neighbor’s Wife, his beefy, heteronormative examination of sex, published in 1981 on the cusp of the Aids epidemic, was greeted skeptically during the reporting process and with jeers upon publication. In full view of a New York magazine writer who’d been sent to profile Talese, a masseuse “took hold of Gay’s penis as calmly as if it had been a pool cue” and playfully threatened to decapitate it. Reported the Washington Post: “A current line in New York has it: Talese set out to write a book on the 70s, and wrote one about the 50s.”

In that scandal, the veracity of his stories of swingers, massage parlors, and the Playboy Mansion weren’t themselves called into question, so much as his immersive reporting methods. He wasn’t just writing about massage parlors; he managed one. He wasn’t simply chronicling infidelity; he cheated on his wife, Nan. This struck some people as too much to take, even from a journalist well-liked by his peers. In the New York Times the critic John Leonard filleted the book for its accuracy and prose, but also noted, rather acidly, “it is certainly time for a bath”.

Thirty-three years later, the response to Thy Neighbor’s Wife still rankled Talese. “I caught so much shit,” he told me, during a digressive moment in our Sinatra interview. Even Talese’s own family took flak for it. “Here’s a sex freak father, hanging around with whores and massage parlors and swinging and all that,” he said, of the rumors that spread about him. “I felt I was losing what little reputation I had as a serious journalist. And I became a kind of freak show – a guy with his pants off, his pencil in hand, frolicking around having too good a time. And that image made me feel I can’t do any more of this.”

It seems important that it was at this juncture that Talese met Foos. As Talese experienced his first critical drubbing, growing defensive and depressed, he unknowingly sowed the seeds for today’s headache by believing someone with an interesting story. He was, in hindsight, clearly too credulous, and ought to have spent more time verifying all aspects of Foos’s story. To his credit, Talese described Foos as an “inaccurate and unreliable narrator” and admitted: “I cannot vouch for every detail that he recounts in his manuscript.” But this was all the more reason to pin Foos down on his deceptions.

In any case, I am not convinced that this screw-up is a reason to consign Talese’s career to the slag heap.

I believe, perhaps naively, that we should judge artists – be they writers, film-makers, or musicians – on their best efforts. (We Bob Dylan fans must live with the several albums worth of terrible songs in his backlog.) I don’t think lesser work negates, or even diminishes, great work. If anything, the former makes me cherish the latter all the more. I suspect a lot of people agree with me on that score. So while I wish Talese hadn’t made this mistake, I doubt it will damage his legacy.

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